ARTS

A battle too big for Bilbo?

In The Hobbit: The Battle of the Five Armies, Thorin Oakenshield has a fever dream in which he drowns in a river of the very gold he sought so desperately. I can think of no visual metaphor to better describe the current state of the Hobbit film franchise.

ARTS

Not another cheap imitation

Based on a true story and set in England in 1939, The Imitation Game brings back to life the behind-the-scenes efforts of mathematician Alan Turing and his team to end the war through means of cracking an ā€œimpossibleā€ Nazi code called Enigma.

ARTS

Shelf Indulgence: As she sews…

Some novels grab you right away with strong, specific detail, forcing you into the head of a relatable character. Such novels are easy to fall in love with. Alexandra Leggat’s The Incomparables is not one of those novels. Its surface is resistant at first, and difficult throughout.

ARTS

Chairman of the Board: Just keep flying

Board games based on licensed products are usually not good. They are either a cosmetic upgrade to a classic board game, or a rushed out game with clunky mechanics or gameplay that distances itself from the source material. Being a self-professed Browncoat, I was thrilled to discover this is not the case with Firefly: The Game.

ARTS

Comic Corner: Everything has a price

Paying for It is an honest exploration of the taboo world of the Canadian sex trade, free of moral bias or fear-mongering. Through this autobiographical depiction of his experiences, cartoonist Chester Brown provides great insight into his own evolution from fearful first-time customer to very vocal supporter of the legalization of prostitution.

ARTS

Endless questing in a dying world

To say that Dragon Age: Inquisition is a huge game would be a vast understatement. If you’re familiar with role-playing games (RPGs), you know that most of the time they’re very big and let you roam free. This is the largest, longest, and best RPG I’ve ever played.

ARTS

In good form

Ursula Pflug’s Motion Sickness is a flash novel about a young woman named Penelope. Each of its 55 chapters is told in exactly 500 words, on a single page, and faces a scratchboard drawing by S.K. Dyment. Though Pflug’s economical and often poetic writing help to tell the story, the scratchboards give the story its nocturnal ambience. This is appropriate.