If your go-to is âPopular,â itâs time for a wake-up call
By Rebecca Peterson, Humour Editor
August is an important month for performersâa time for auditions, as the theatre circuit gears up for its winter season. From pantomimes to Christmas carols, thereâs no shortage of opportunities to get your foot in the backstage door. However, you might be shooting yourself directly in that foot by choosing clichĂ©d, inappropriate, or expired audition material.
So, from one theatre nerd to another, hereâs a list of audition songs you should absolutely 100 per cent NOT USE for your audition, no matter how much Google insists itâs a good idea.
âPopularâ from Wicked
I know itâs a fun song. I know itâs tempting to show off your best âcharacter voiceâ while giggling and preening your way through all those hilarious one-liners. I know you want to show off your incredibly original fun side by mimicking the lapsed ballet flouncing during the âlar laaarâ segment that Kristin Chenoweth cracked everyone up with on Broadway. But seriously. Donât. I canât stress this enough. Do not audition with âPopularâ from Wicked.
Why? Because literally everyone and their precocious 12-year-old sister has auditioned with âPopularâ from Wicked. Itâs done. Itâs over. The minute you start in with that nasally soprano line of âWhenever I see someone less fortunate than I,â your audience has tuned you out for the sake of their own sanity. Guaranteed that they hear this song at least five times every audition cycle. Save them, save yourself.
âI Dreamed a Dreamâ from Les MisĂ©rables
Iâm going to say this, and Iâm going to dodge all the cookware about to be lobbed at my head for saying it, but here goes: Susan Boyleâs rendition of âI Dreamed a Dreamâ was not that great. Her voice was fine but her phrasing was absolutely whack. With that out of the way, let me tell you why you should not under any circumstances audition with this song.
For one thing, itâs clichĂ©d. Like with âPopular,â itâs one of those songs that everyoneâeveryoneâhas sung. Itâs not nearly as annoying as âPopular,â but the problem with songs that everyone has done is that you are now in a position where youâre being compared to everyone else who has done that piece. Maybe Iâd be more accepting of Susan Boyleâs machine gun delivery if I hadnât heard the song done better a thousand times before, but I have, so itâs immediately jarring to me to hear it massacred like that. Make life easier for yourself and avoid the temptation.
âOn My Ownâ from Les MisĂ©rables
Overdone, and you canât hit that C. Next.
âThink of Meâ from Phantom of the Opera
I donât know how, but this song manages to transform everyone who sings it into that high school choir soprano you always hated because she got the coveted solo at the Christmas concert every year. Also, itâs boring as hell.
âThe Girl in 14Gâ sung by Kristen Chenoweth
I remember going to my first big city audition, sitting in the hall outside the audition room in an intimidating crowd of teenagers with headshots and agents on speed dial, and listening to not one, not two, but four renditions of this vocal cord-busting number. And that was just while I was sitting there. Who knows how many more girls tried their hand at an original performance of it long after Iâd fled the premises following my complete faceplant of an audition.
For those who donât know it, this song goes through a million different vocal stylings to show off Kristen Chenowethâs considerable range, from opera to jazz to theatre and back. This may sound like a fantastic way to show off your own range, but it is not. For an audition song, itâs distracting and long, and only shows that you have the same range as at least three other performers before you.
Anything that shows up on the âThespian Peacockâ meme Facebook page
The year that âTaylor the Latte Boyâ came out was a sad year for auditionersâanother âcharacter songâ making the rounds of every theatre personâs newsfeed, followed by the hilarious rebuttal from âTaylorâsâ perspective. If youâve seen it, your friends have seen it, and once again youâre stuck with the task of making this song your own even while mimicking the vocals and facial expressions of the person who made the song funny in the first place: Kristen Chenoweth.
I hope youâre starting to recognize a pattern here, and if you havenât, let me spell it out for you. You are not Kristen Chenoweth. Only Kristen Chenoweth is Kristen Chenoweth. You will never sell your own skills and abilities if youâre stuck pretending to be Kristen Chenoweth. Basically, if Kristen Chenoweth has in any way shape or form even brushed her tiny elfin fingertips over a piece of music, consider it dead to you.
âMemoryâ from Cats
Best case scenario, they mock you the moment you leave the room. Worst case scenario, they shoot you in cold blood. Best not to risk it.