During one of the busiest times of the year for the industry, itâs never been easier to start your career
By Rebecca Peterson, Staff Writer
The Canadian dollar is at a depressing low right now, which is bad news for pretty much everyoneâexcept for American film companies looking to make movies at a low cost. The industry has just entered whatâs known as âPilot Season,â the time of year where everyoneâs filming pilot episodes for TV series that will hopefully get picked up by networks and given a full seasonâs run. With the low dollar and BCâs reputation for diverse locations and good crews, business is booming. Now, we have tons of jobs available, and not enough people to work them. In the last hour alone, Iâve received two separate job offers, and thatâs without being on any official availability listings.
So in the interest of helping out my coworkers, bosses, and industry siblings-in-arms, I thought Iâd take some time to do some recruiting.
Iâll warn you right now, film work is not easy. It is physically and mentally exhausting, with long hours and high stress. The day before yesterday, I worked 18 hoursâand long hours like that arenât out of the ordinary.
That being said, there are some perks. The food is free, the pay is decent, and right now, the upward mobility in the industry is crazy. On the show I worked last fall, I started off as a production assistant (PA) and moved up to Key PA, then even filled in as a trainee assistant director for a day despite no experience in the department whatsoever.
As the saying goes, itâs not what you know, itâs who you know, and this is especially true in the film industry. If you have even a friend of a friend whoâs in the industry, thereâs a good likelihood theyâll know someone whoâs looking for people. I cannot stress this enough: it does not matter what department you start out in. If you want to work as a camera operator and can only find work as a grip, take the job. Youâll meet people on set who, if you work hard and have a good attitude, will take notice and can help get you where you want to go.
If you donât know anyone, however, the easiest department to start off in is Locations. PA work is vitally important and unfortunately thanklessâyouâre often the first to arrive and the last to leave. Still, if you have no experience and are eager to learn, Locations is the best place to start. Put your rĂ©sumĂ© together with the job you want in mind. Have you taken any film courses? Have you worked any labour industry jobs? Do you have your driverâs license, or better yet, a commercial vehicle license? These are all good things to include, but even a few years of retail experience shows that youâre capable of working, which is honestly all anyoneâs looking for right now.
Next step is to Google âDGC Production List.â The first PDF result will show you whatâs filming right now, as well as a few key details about how to contact the production and who to talk to. Look for the title âALMâ (Assistant Location Manager). Sometimes there will be two. Under the production name should be the production officeâs e-mail.
Type up a cover letter template thatâs brief and to the point, addressed to the showâs ALM(s). Key phrases that theyâll be looking for are âfull availabilityâ and âreliable transportation.â Always say you have reliable transportation, even if you donât have a car and canât drive. They just need to know that youâll show up! This isnât a regular jobâ if you start over-specifying your time constraints they will not hire you. Include your contact information, your rĂ©sumĂ©, and thank them for their time.
Your subject line to the production office should look like this: âLocations PA RĂ©sumĂ© – ATTN: (Name of ALM)â. This will tell the person on the other end who to forward the e-mail to. E-mail as many productions as you can, and you should hear back within a week or two.
As I said before, film is not easy work, but it can be incredibly rewarding. If you go in with the right attitude, a smile, and a willingness to work, you can go very far in a very short period of time.