Do you really like what you like?

A Calabasas Freestyle’ by Jaden Smith music video still

ā€˜Late Night in Kauaiā€™ by Childish Gambino analysis

By Sonam Kaloti, Arts Editor

 

A major part of the art community worldwide is the distribution of artā€”in terms of how it is produced, how it is presented, and which artistic creation is granted supremacy over another. Really, no single person, nor even a group of people, should be able to decide what deserves to be popular. Yet sadly, this formula basically runs most industries.

Donald Gloverā€™s (Childish Gambinoā€™s) ā€œLate Night in Kauai,ā€ released in 2014, features Jaden Smith and Gloverā€™s frequent collaborator Fam. The songā€™s outroā€”which is written and performed by Famā€”is heavy on its criticism of social norms.

Fam begins by saying that Jaden Smith is ā€œdropping jewelsā€ but people donā€™t believe him because heā€™s Jaden Smith. Smith has become something of a meme due to his odd statements made on Twitter, such as ā€œHow Can Mirrors Be Real If Our Eyes Arenā€™t Real.ā€ Famā€™s statement suggests that people may just dismiss any deep truth Smith may be saying due to this perceived lack of seriousness. Fam proceeds to say, ā€œBut itā€™s all about packaging, right?ā€

Packaging can refer to a variety of things, one being how we may perceive something from only the outside, which inhibits us from truly understanding the deeper messages on the inside. This would certainly explain the previous line referring to Smith.

However, production and packaging are a much larger part of consumerism than would be expected. For starters, everything from album covers and book jackets to live show visuals drastically changes how much an individual will spend on something like a novel or a concert. Yet, as the saying goes, we canā€™t judge a book by its coverā€”because the packaging may not be reflective of the content within.

ā€œWe don’t even know what we like anymore. We just know what the most hype is,ā€ Fam continues later in the outro. This is a scary concept that focuses greatly on the effects of bandwagons, mob mentality, popularity, and of course, fitting in. The entire world seems to be in love with Drake, but is it because people enjoy the lyrical and musical content or because their radio, television, and friends are all playing (and loving) it?

The most thought-provoking line in ā€œLate Night in Kauai,ā€ in my opinion, is when Fam goes on to mention a joke made by Dave Chapelle, who is an American stand-up comedian. In one of Chapelleā€™s shows, he compares Pepsi and Coca Cola and starts by saying that he has made advertisements for both. Chapelle then says, ā€œIf you want to know the truth, canā€™t even taste the difference. Surprise! All I know is Pepsi paid me most recently, so it tastes better.ā€

This line alludes to celebrity brand endorsements and following celebrity trends with sheep-like obedience, even though that entire system is corrupt. We might just like whatever it is that has the most money.

The question Fam poses is always important to think about: ā€œDo you really like that shit you like? Or you like the way they gave it to you?ā€