A new take on contemporary and classical songs
Vivace’s ‘Diamonds’ EP album review By Naomi Ambrose, Staff Writer Vivace, a Vancouver-based quartet of pop and classical singers,…
Oscars 2019 nominations
A year of genre compliance and defiance By Bex Peterson, Editor-in-Chief It’s true to say nearly every year, but…
Hourly Comic Day 2019
A day in the life in comic form By Bex Peterson, Editor-in-Chief This past February 1, artists all over…
How to give—and receive—constructive criticism in art
Making the most of collaboration By Bex Peterson, Editor-in-Chief There’s nothing more nerve-wracking then taking your beloved work-in-progress and…
My teenage CD collection
A retrospective on indie pop music from 2009 By Bex Peterson, Editor-in-Chief 2009 was as big a year for…
Finding warmth in the coldest months
By Bex Peterson, Editor-in-Chief I think it’s not a bold statement to opine that the months between January through…
Half-baked and over-hyped
Shane Dawson releases part one of conspiracy theory series By Roshni Riar, Staff Writer 3/5 Shane Dawson has…
Cuarón’s childhood from a maid’s eye
‘Roma’ film review By Jerrison Oracion, Senior Columnist 5/5 The Academy Awards this year are arguably the most…
Do you really like what you like?
‘Late Night in Kauai’ by Childish Gambino analysis By Sonam Kaloti, Arts Editor A major part of the art…
Raising the stakes
‘Kakegurui’ anime review By Lauren Kelly, Graphics Manager 4/5 If you want an anime that’s unlike anything else…