ARTS

A review of Childish Gambino’s ‘3.15.20’ By James Wetmore, Contributor 4/5 With the quarantine slowly driving everyone stir crazy and bored of everything in their house, Childish Gambino—or Donald Glover—has…

A show that bleeds everything but love By Tania Arora, Staff Writer 4/5 For a person who is extremely practical, this show may seem like a can of rotten beer.…

Old but gold! By EG Manilag, Staff Writer I think it’s best for us to relax and reflect on our good old memories. And there is no better way to…

Magical novel duology comes to a close with sequel’s release By Cheryl Minns, Senior Columnist Coquitlam author Jennifer Sommersby introduced Genevieve Flannery and Henry Dmitri the world with her 2018…

A review of the Criterion Channel By Jerrison Oracion, Senior Columnist For fans of film, the Criterion Collection can be described as a film school in a box. Even famous…

The horror film mirrors COVID-19 By Jerrison Oracion, Senior Columnist As I was writing this story, COVID-19 was classified as a pandemic and it is worse than I thought it…

Relatable commentary and impressive visuals are overshadowed by big problems By Jonathan Pabico, Contributor He amazed us with his captivating sci–fi films Ex Machina and Annihilation. However, Alex Garland’s new…

How to DJ a one-person party By James Wetmore, Contributor Ah, the sweet life of self-isolation. What could be better than staying in bed all day—surrounded by snacks and drinks…

A 2020 look at an iconic game By Sonam Kaloti, Arts Editor I bet you didn’t think you’d see a Sims 3 review 11 years after its initial release and…

‘The Afterlife’ album review By Matthew Fraser, Opinions Editor Shabaka Hutchings and his cohorts return to tear the stereotypical jazz trio image apart with the album The Afterlife, the companion…