Bringing music to the concrete jungle
By Katie Czenczek, Staff Writer
Youâve probably heard them while walking down Granville Street. In Vancouverâand any big city that allows itâbusking is everywhere. We decided to talk to a few of Vancouverâs very own buskers and ask them a some questions about how they ended up entertaining the city.
Tom Coley, a vocalist and guitarist whoâs often found busking at SkyTrain stations, took the time for an interview with the Other Press.
âI saw somebody busk when I was a kid. They looked like they were having so much fun and I knew that I was going to do the same thing,â he said. âThis was early on, I was probably six or seven. When I first started busking, people like Guy LalibertĂ©, who created Cirque du Soleil, would be on St. Paul Cathedral in Montreal, juggling before he was anybody. I mean, it was a community. I loved it. We all helped each other in every single way, even when we were doing all of our own things.â
Coley, whose performance style he described as âin your face,â also highlighted some of the things he wished pedestrians knew about the lifestyle.
âBy being a busker, youâre bringing music to everyday people who donât normally have a chance to listen. I think that itâs very important for our society to have music in these hallways, and in these concrete structures. Thereâs too much machine-like tension, without any music or measure, to quote Gord Downie. We remedy that.â
Jak Drumâa busker whoâs been performing for 10 years nowâis a chef who busts out the djembe in his spare time.
âI lived in Vancouver for a long time, so I always saw buskers on the street. One day, I thought to myself, next year Iâm going to get me a drum,â he said. âThen I started playing at the Art Gallery and all the suddenâthis was during a really tough breakupâall the stress melted off of me like butter in the hot sun.â
We asked Drum what his favourite thing about busking is, and he said that it sure as hell beats practicing alone.
âWell, I can go to the studio and practice, or I can go practice in the street and get immediate feedback. Faster than Rotten Tomatoes.â
Drum also shared one of his favourite moments while busking in Vancouver.
âI was performing outside of The Bay when a pregnant woman approached me,â he said. âThe first thing I thought was, âI am not the father.â Then, in tears, she tells me that her baby hasnât kicked in six months until she walked by my drumming.â
Babe Coal, a vocalist and guitarist who could give Adele a run for her money, said to the Other Press that busking is a way for her to do what she loves.
âI like the freedom. I like the people. When Iâm out here every day I get to meet people of all sorts and itâs just a really nice lifestyleâto come out and share that with people and have them respond, tell you how much they like it, and how much it affects their lives.â
We also asked her about some of the challenges she faces while performing in public spaces.
âMy partner, Mitch, and I have been fighting for freedom of expression in the courts due to bylaws and enforcement. Thatâs the biggest challenge, standing up for your rights when government disobeys the law.â
Coal also elaborated on why this should matter to other Canadians.
âWhen youâre on the street I guess you get a different viewpoint from other people. Itâs really opened my eyes to seeing what Canadaâs really like, versus what we think itâs like. You grow in school and weâre told that Canadaâs a free country and a place where people can seek refuge. Weâre taught many things that make us think highly of the country. Then, when youâre out on the street, you start to experience things that make you question what Canadaâs really about,â she said.
âWhat weâre taught is what we could be, but I think that itâs important that people realize that we have to keep standing up for our rights, so we donât lose them. I think that with street performers and other people who are on the street, we can be the first targets for things like that. Hopefully, from being out here, weâre showing people that itâs a beautiful part of expression.â